As well as confirming the new toy he explains the “misbehaviour” of certain members of the orchestra…
Hula Barbie wasn’t entirely compliant at the beginning of the Supersonic set and neither was my trusty FancyCam, which spat and wheezed its unpredictable, stoccato refrain in Black Star. Such is the susceptibility of the Toys to atmospheric changes that it’s rare for a performance to take place without one or more of the instruments behaving against expectation. But then it is a series of beautiful accidents which are at the root of the MTO concept; in which latent musicality is channelled and liberated through a process of circuit bending and the subsequent organisation of sounds. To be a player is to marshall the Toys through their symphonic paces, whilst being all-the-while prepared for the unexpected.